Automatic for the People: ( )

Automatic for the People: ( ), conducted from November 8, 2008 to February 7, 2009, is an art project by the Brooklyn-based art duo MTAA. Commissioned by the San Francisco Museum of Modern Art and included in the exhibition The Art of Participation: 1950 to Now, the piece explores audience participation in the creation of an art work.

Asking the general public to vote on ten elements of an art performance, Automatic for the People: ( ) deliberately blurs the roles of artist and audience, creator and viewer. Voting and discussion took place on-line via MTAA's website and in the museum via a computer kiosk. The final performance, Automatic for the People: (We Solemnly Promise That No One Will Get Naked), took place on February 7, 2009 at SFMOMA.

The project consists of three parts:

  1. the opening performance;
  2. the voting process (website & museum kiosk);
  3. the final performance (as voted by the public).

the opening performance

On November 8, 2008 MTAA launched Automatic for The People: ( ) with an opening performance lecture at SFMOMA . Consisting of a slide lecture, a "museum hall-style" debate and a public poll, this performance introduced and set the tone of the project.

video ⬇

379MB; 32:27; QuickTime; H.264, AAC; also available on Vimeo (opens in new window); direct link to MOV file (opens in a new window)

selected photos ⬇

AFTP: ( ) opening performance

AFTP: ( ) opening performance

AFTP: ( ) opening performance

AFTP: ( ) opening performance

AFTP: ( ) opening performance

Click on images to open them on Flickr. There are high resolution images available. All links open in a new window. Photos by Aimee Friberg; courtesy of SFMOMA.

the debate & poll ⬇

Official AFTP: ( ) Ballot

During the opening performance, a "museum hall-style" debate was held to determine the location of the final performance within the institution. Once the choices had been deliberated, the audience received a ballot and a vote was taken. A reproduction of the ballot provided to the audience is to the right.

The location choices (all open in a new window):

  1. stairs
  2. bridge
  3. landing
  4. phone booth
  5. foyer
  6. sculpture terrace
  7. reception hall
  8. lobby
  9. freight elevator
  10. theater

"Freight elevator" won by an outstanding margin.


the voting process

The website and kiosk were active elements in the performance. Web-viewers could vote and comment on the site and museum-goers could vote and read all the comments from the web. The audience voted on the themes of the performance, props and wardrobe amongst other options.

the polling place ⬇

the website ⬇

Click the image below to browse an archived version of the website in a new window.

AFTP web site the first vote was to determine the rest of the title

Below, each poll followed with the winning option and the winning vote count. Click each poll to see the full results (all open in a new window).

  1. The Rest of the Title — We Solemnly Promise That No One Will Get Naked — 68 votes
  2. Duration — the exact same length as R.E.M.'s Automatic for the People album — 55 votes
  3. Props — house plants, 2x4s, lawn chairs, a PA — 44 votes
  4. Cultural References — Marcel Duchamp, chat rooms, ukuleles, take-out food — 74 votes
  5. Actions — game, build, dance, slow, photograph — 56 votes
  6. Wardrobe — robot — 163 votes
  7. Audience — general public — 234 votes
  8. Refreshments — wine & cheese — 113 votes
  9. Space — all over the place — 94 votes
  10. Conclusion — dance party — 109 votes

In all, 4571 votes were cast over three months.

more ⬇

sfmoma_mtaa_walltext2 SFMOMA audio tour (4.7MB; 2:32; MP3; open in a new window)

design of polling place design of the polling kiosk installation (open in a new window)


the final performance — Automatic for the People: (We Solemnly Promise That No One Will Get Naked)

The title of the final performance was chosen via audience polling in the very first on-line vote, which took place from Nov. 8–12, 2008. See the full results of that poll (opens in a new window).

The performance was scripted using the winning results from the 10 polls. Structured around the tracks on R.E.M.'s Automatic for the People, it continued the project's participatory theme by involving the audience in the building of two robot costumes. In-between bursts of robot-making, there were also some interludes and digressions including a ukulele rendition of Nightswimming by Uni & Her Ukelele, a short lecture on the relation of Duchamp's art to take-out food and a wine and cheese refreshment.

video ⬇

MTAA_AFTP-WSPTNOWGN.mp4; 643.8MB; 1:11:20; MPEG-4; H.264,AAC; direct link to MP4 file (opens in a new window)

selected photos ⬇

Automatic for the People: ( ) waiting in the freight elevator before the performance

Automatic for the People: ( ) M.River intro's the performance

Automatic for the People: ( ) T.Whid conducts the "Duchamp & Take-out" food digression

Automatic for the People: ( ) group photo group photo of the robot builders and judges

Automatic for the People: ( ) the robots vogue for the judges

Automatic for the People: ( ) everyone waves goodbye as we disappear into the freight elevator

Click on images to open them on Flickr. There are high resolution images available. All links open in a new window. Photos by Aimee Friberg; courtesy of SFMOMA.

Automatic for the People: ( ) in the freight elevator

Automatic for the People: ( ) robot building commences

Automatic for the People: ( ) more robot building

Automatic for the People: ( ) Uni plays while the robots dance

Automatic for the People: ( ) a winning robot is chosen

Automatic for the People: ( ) Jennifer Crowe & Scott Patterson played the robots

more ⬇

AFTP: ( ) trial robot trial robot built in MTAA's studio (open in a new window)

ignoring this is the part we we ignored the audience (photo by Hasan Elahi)

our_view the view from our side


MTAA (M.River & T.Whid Art Associates) 2008–2009 | MTAA is Mike Sarff & Tim Whidden | mteww.com