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MTAA-RR » resume:

Download a print-friendly version of MTAA's resumé (PDF).

MTAA’s Resume

*=solo show

No Customs, Jennifer & Kevin McCoy’s apartment, SAMA Tower, Suite 3708, Abu Dhabi
10th Anniversary, Beall Center for Art + Technology, UC Irvine, Irvine, Ca
Filament Festival, Experimental Media & Performing Arts Center, Rensselaer Polytechnic Institute, Troy, NY
2010 01SJ Biennial, San Jose, CA
Made In Internet, ARTBOOM Festival, Krakow, Poland
un(process)ed, Blue Box Gallery, New York, NY
Übersetzung ist eine Form. | Translation is a mode, Kunstraum Niederoesterreich, Vienna, Austria

* 2Live, The Electronic Gallery at Salisbury University, Maryland
Theater of Code, Light Industry, curated by Christiane Paul, Brooklyn, NY
World’s First, Possibly Only and Probably Last iPhone Drum Circle (aka iPDC) , Conflux City 2009, Brooklyn, NY
Camera/Chimera, Gallery Aferro, Newark, NJ

The Art of Participation: 1950 to Now, San Francisco Museum of Modern Art, San Francisco, CA
LIVE, (with Alex Galloway), Beall Center For Art + Technology, University of California, Irvine
ARTWALKING, Eyewash Gallery, Brooklyn, NY
Self-Selected Super St*rs (SSSS), one night screening & performance, Light Industry, Brooklyn, NY

Talents Out, Enzimi 07, Rome, Italy
NETworking: Net Art From The Computer Fine Arts Collection, The Haifa Museum of Art, Haifa, Israel
Not Your Parents’ MTV, Postmasters Gallery, New York, NY
The Art Happens Here, part of the iCommons Summit ‘07 conference, Dubrovnik, Croatia
Source Code, Eyebeam, New York, NY
Character Reference, Bryce Wolkowitz Gallery, New York, NY

All Systems Go, Scope New York, curated by, New York, NY
Link-a, MediaLabMadrid, Madrid, Spain (link)
PodART, Fine Art In Space, Long Island City, NY (more info)
E7: Aljira Emerge 7 Exhibition, Aljira Center for Contemporary Art, Newark, NJ
Split Film Festival, Split, Croatia
D.I.Y. or DIE, on-line exhibition, curated by, Turbulence and Upgrade! New York (link)

Rhizome ArtBase 101, The New Museum of Contemporary Art, New York, NY
Marking Time, video screening, curated by Glenn Phillips, The Getty Research Institute, Los Angeles, CA
We Are All Together: Media(ted) Performance, in conjunction with Performa ‘05, curated by Marisa Olson, Artists Space, New York, NY
FILE 2005 — Electronic Language International Festival, Sao Paulo, Brazil
There’s a City In My Mind, Southfirst Gallery, Brooklyn, NY
Leonart ‘05, art festival, Leonding, Austria
Second Annual Drinkin’ & Drawin’ Championship, event, Bar Matchless, Brooklyn, NY (more info)

Villette Numerique, as part of Carnivore Is Sorry, Paris, France
The Infinite Fill Group Show, Foxy Production, New York, NY
Netizens II, Galleria Sala 1, Rome, Italy (more info)
DC 9/11 - The Evildoers’ Remix, screening, Postmasters Gallery, New York, NY
HYPER-RUNT, presented by InLiquid, National Products Building in Old City, Philadelphia, PA
VideoZone2 — The 2nd International Video Art Biennial in Israel, Tel Aviv Cinemateque, Tel Aviv, Israel (more info)
A Perfect Day for Bananafish, Postmasters Gallery, New York, NY
<PAUSE>, Oboro, Montreal, Quebec (more info)
First Annual Drinkin’ & Drawin’ Championship, event, Bar Matchless, Brooklyn, NY

* Manual Zoom Mirage, Rome Arts, Brooklyn, NY (more info)
Pirated Movie, event, Postmasters, New York, NY (more info)
Dealer’s Choice, 31Grand, Brooklyn, NY
Seoul Net & Film Festival, Seoul, Korea (more info)

Beta Launch: Eyebeam Artists in Residence ‘02, Eyebeam Atelier, New York, NY
(718): A Bridge to Brooklyn, Cranbrook Art Museum, Bloomfield Hills, MI
Omega Manuel, curated by Jennifer & Kevin McCoy, Smack Melon, Brooklyn, NY
Multiple Personalities, Haines Gallery, San Francisco, CA

Artport, Whitney Museum of American Art, online, New York, NY
Leisure, Gallery 1313, Toronto, Ontario, Canada
Pixel Plunder, Year Zero One, Toronto, Ontario, Canada
Tipping Point, White Columns, New York, NY

* New Stealth Model of Careerism, Walden, New York, NY
Dystopia & Identity, Tribes Gallery, New York, NY
Cell Rules, (organized by Creative Time) Meat Market Art Fair, New York, NY
Me & My Friends, 57 Hope, Brooklyn, NY
Friendly Fire, Project, Toronto, Ontario, Canada
Use Nor Ornament, The Northern Gallery for Contemporary Art, Sunderland, UK
Verbal 3: Call & Response, The Kitchen, New York, NY
A Day at The Beach, PS1 Art Center, New York, NY
Through the Looking Glass, The Beecher Center, online, Youngstown, OH
Protocol Prone, Bard College, Annandale-on-Hudson, NY
Art Entertainment Network(AEN) , part of Let’s Entertain, Walker Art Center, Minneapolis, MN
BI Virtue, Star 67, Brooklyn, NY

9/9 Journal of Practical Art #3, curated publication, Paris, France
Outer Boroughs, White Columns, New York, NY
Three Suitcases, Art and Idea, Mexico City, Mexico
Come One! Come All! to the Outdoor Galleries, PS1 Art Center, New York, NY
Vessel Language, Greenwich House Pottery, New York, NY

Local Color, Abrons Art Center, New York, NY
Four Walls Slide and Film Club, Art in General, New York, NY
Not Four Walls Slide and Film Club, Brooklyn Anchorage, Brooklyn, NY

Convergence X, citywide sculpture festival, Providence, RI
Art Dirt Im-Port, part of Port: Navigating Digital Culture, List Center (MIT), Boston, MA

iCommons Summit artist in residence, Dubrovnik, Croatia, 2007 (more info)
Creative Capital Foundation Grant in Emerging Fields (Digital Arts/New Media), Want, 2006 Net Art Commission, To Be Listened To…, 2005
Aljira Emerge, professional development program and residency, Newark, NJ, 2005
New Radio & Performing Arts, Inc commission, 1 Year Performance Video, 2004
Macromedia Site of The Day Award, 2004
Yahoo! Pick of The Week, 2004 (more info)
The Alternative Museum commission, Five Small Videos About Interruption & Disappearing, 2003
The Whitney Museum’s Artport website commission, vitoAcconciUpdate, 2002
Eyebeam Atelier artist-in-residence program, 2002
Creative Time grant, Buying Time: The Nostalgia-Free History Sale, 1997
Convergence X Festival commission, Dig: A Search For Captain Paine’s Ill-Gotten Loot, 1997

The Art of Participation: 1950 to Now, (exhibition catalogue), Rudolf Freiling, Thames & Hudson, 2008
The Art Happens Here: The Full Exhibition Review, (press), Paddy Johnson,, June 17, 2007 (link)
New Media Art, (historical survey), Mark Tribe and Reena Jana, Taschen, 2006
Tristate Talent Search Hits a High Note, (press), Benjamin Genocchio, The New York Times, August 6, 2006 (link)
Web Works That Insist on Your Full Attention, (press), Sarah Boxer, The New York Times, June 28, 2005 (link)
New Media in Art (2nd Edition), (historical survey), Michael Rush, Thames and Hudson, 2005
Video Personalities, (press), Marisa S. Olson, SOMA Magazine, February 2005
A hard-driving new medium ‘updates’ performance art, (press), The Globe And Mail, Nov. 2004 (link)
Internet Art, (historical survey), Rachel Green, Thames and Hudson, 2004
The Screen of Net Art, (press), Valerie Lamontagne, Parachute #113: Digital Screens, 2004
MTAA: The Art Happens Here, (press interview),, Issue 02, 2004 (link)
The Infinite Fill Group Show, (press), Roberta Smith, The New York Times, August 6, 2004 (link)
Chaos Happens, (curated publication), This Is a Magazine, Compendium #3, 2004
Protocol: How Control Exists after Decentralization, Alexander Galloway, The MIT Press, 2004
(I promise that) Hardcore (Conceptual art will make a comeback very, very soon), cover story, This Is A Magazine, February 2004
Let’s Entertain, (cat), Philippe Vergne, Walker
9/9, Journal of Practical Art #3, (curated publication), Paris, France, 1999
Net Art With a Groove, (press), Wired News, 2000 (link)
Three Suitcases at Art and Idea, (press), Art Nexus, November 1999 - January 2000
Finders Keepers, (press), Jon Thompson,, 2000 (link)
The Art of Commerce, (press), review of Protocol Prone,, 2000 (link)

Net Aesthetics 2.0, panelist, New Museum of Contemporary Art, New York, NY (2008)
The Name of This Band is Talking Heads MTAA, presentation, Takeovers & Makeovers: Artistic Appropriation, Fair Use and Copyright in the Digital Age, Berkeley Art Museum, UC Berkeley (2008)
The Art Happens Here: The Work of M.River and T.Whid, presentation, University of Maine, Orono, ME (2005)
At a Distance: The Prehistory of New Media, panelist, University of Maine, Orono, ME (2005)
Creators and the Commons: Why and How to Share, panelist, Copyright, Scholarship, and the Case for Open Access: Conference on the Intellectual Commons, University of Maine, Orono, ME (2004)
Blogging And The Arts, panelist, New Museum of Contemporary Art, New York, NY (2004)
Introduction to Net Art: Conceptualism, lecture, Williams College, Williamstown, MA (2002)
The Upgrade, presentation, Eyebeam, New York, NY (2000, 2002)
Digital H@ppy Hour, presentation, The Kitchen, New York, NY (1999, 2000)

Deutsche Bank New York,’s ArtBase,,, and Bard College

1997 - 2006 M.River & T.Whid Art Associates. Some Rights Reserved. is licensed under a Creative Commons License with the exception of Website Unseen titles which are covered by agreements with individual collectors and otherwise where noted.