MTAA-RR » on-line art:
2004, web site with Flash
link to higher resolution image
1 year performance video continues MTAA’s series of Updates. Our Updates resound seminal performance art from the 60s and 70s in part by replacing human processes with computer processes.
1 year performance video updates Sam Hsieh’s One Year Performance 1978-1979 (aka Cage Piece).
When a viewer enters the piece she is presented with side-by-side videos of the artists trapped in identical cell-like rooms. The artists go about the mundane activities possible within a cell: in the morning they wake and breakfast; at around 1PM and 7PM they eat; sometimes they exercise; sometimes they surf the net; sometimes they sit and stare at the wall; they piss; at around midnight, they go to bed.
The viewer is meant to watch this activity for one year.
But, in the work we only mimic endurance; the videos are pre-taped clips edited at runtime via a computer program so that each viewer sees a different sequence. The audience can just close the browser and walk away. No one needs to suffer on this one; failure is built-in at the front end.
1 year performance video (aka samHsiehUpdate) is a 2004 commission of New Radio and Performing Arts, Inc., (aka Ether-Ore) for its Turbulence web site. It was made possible with funding from the Jerome Foundation. link to work | permanent link to this post
1997-1998, web site, e-mail, artifacts
This piece worked like this: Each month a Direct to Your Home Art Project was sent out by email to listservs (Rhizome, Fluxlist and American Express) as well as to the DYHAP mailing list. Each email contained instructions on how to fabricate and install artwork in ones own living space. In exchange for documentation of the installed artwork each collector of a DYHAP received an official signed and numbered Certificate of Authenticity. link to work | permanent link to this post
Commissioned by The Alternative Museum, Five Small Videos About Interruption and Disappearing has proven to be very popular and has been included in the Seoul Net & Film Festival 2003 (in the Interactive/Web Art section); exhibited at <Pause> (an on-line group exhibition presented by mobilegaze.org); was featured in a net art article in Parachute #113; and is included in the net art section of VideoZone2 — The 2nd International Video Art Biennial in Israel (opening 11/17/04). link to work | permanent link to this post
2005, digital video loop
Infinite Smile is a digital video loop of MTAA smiling and blinking. The video is sped up 4x original speed.
This piece was originally created as an on-line art work to reward viewers who finished watching 1 year performance video for one year.
Subsequently it has been exhibited in various ways.
In 2005, as a two screen DVD installation at The 9th Annual D.U.M.B.O. Art Under The Bridge Festival (as part of video_dumbo). Here are a couple of photos of the DUMBO installation: (one) (two).
In 2007, as a large-scale projection in the group show Character Reference at Bryce Wolkowitz Gallery. Below, an image of the piece at Bryce Wolkowitz (click for a larger image).
link to work | permanent link to this post
2003, bitmap and vector images
We’ve placed creative commons-licensed images online in a variety of formats including Adobe Illustrator vector art (zip archive). link to work | permanent link to this post
2008, digital video with software
In our age there is no such thing as ‘keeping out of politics.’ All issues are political issues, and politics itself is a mass of lies, evasions, folly, hatred and schizophrenia.
— George Orwell
Continuing a series of computer-driven self-portraits, MTAA’s Our Political Work presents the artists in a never-ending state of screaming, yelling, waiting and sometimes laughing. Using 141 filmed moments, custom software randomly selects and joins video clips into a seemingly endless array of undignified action. Begun in 2007 and completed in 2008, Our Political Work creates an open-ended depiction of political discourse as Beckett-like action.
A 2008 commission of LX 2.0, a project of Lisboa 20 Arte Contemporânea and curated by Luis Silva. link to work | permanent link to this post
1999, web site
The MTAA Signature Series is an attempt to maximize mindshare in the online art market while maintaining the economics of scarcity on which the traditional art market depends.Yes, but what is the Signature Series Canceled? link to work | permanent link to this post
1999, web site
The goal of the School of Conceptual Clay is to promote the study and practice of conceptual clay.We’re not really running the school any longer. link to work | permanent link to this post
Conceptual Clay was invented by M.River & T.Whid as a metaphorical activity and an open-ended collaborative performance commenting on the digitization of former analog practices and techniques.
1999, web site & commercially printed poster
It’s a text-heavy piece to say the least. English with french translation by Stéphane Argillet. link to work | permanent link to this post
1997-2002, web sites, prints
We actually created four versions of this work all linked below:
Buying Time: The Nostalgia-Free History Sale(1997)
Shudder. Did we really think that this was a web site?
TIME!® The Clearance Sale(1997)
Seems to be getting a little better…
This is the classic example archived at Rhizome’s ArtBase. It is also where The Simple Net Art Diagram made it’s first appearance.
Limited TIME!® Only(2002)
We did this version right after 9/11. It was nice simply having (basically) a design project which didn’t take much creativity. This version was included in the show Multiple Personalities at Haine’s Gallery in San Francisco curated by Amy Davilla. link to work | permanent link to this post
2001-2004, web sites
Created with Alex Galloway as a splash page for Rhizome.org.
Commissioned by The Whitney for a gate page on their Artport web site.
1 year performance video (aka samHsiehUpdate)
A 2004 commission of New Radio and Performing Arts, Inc., (aka Ether-Ore) for its Turbulence web site. It was made possible with funding from the Jerome Foundation.
1999, web site
2000, web site, Yahoo!
MTAA propose to extend the exhibition space of star67 gallery, brooklyn, by the amount of 3 megabytes of disk space on the servers of email@example.com was great fun while it lasted, but sadly the piece was lost when someone changed the password. link to work | permanent link to this post
1999-2002, web sites, variable
This list is roughly in chronological order (earliest to latest).
- #99. Save Free TV
- #98. A Comparative Study of Apples & Oranges
- #64. Mind Control by Flashing Lights: An Internet Survey
- #20. In Ohio, In The Fall, You Were Young
- #25. Ten Digital Ready-Mades
- #44. Home Page for the Haphazard (AKA oopsdotcom)
- #68. Hardware, Software, Just-Rightware
- #17. Captain Kirk’s Chair: An Instructional Installation
- #100. The Light That Falls Across the Ceiling of the Room that Shows Us The End Of The Day As Night is Slowly Making Its Way Into Our Sight (AKA It’s Now Safe To Turn Off Your Computer)
- #66. Pixel Bitch
- #53. Java My Ass
- #38. Close Your Eyes, Make a Wish, Hit Delete
- #04. Twenty-Five Concrete Examples of Why John Cage Is Not My Father
- #11. Auction Stand for Personal Hate
- #89. Nothing Ventured, Nothing Gained (Notes On Digital Art)
- #01. Random Access Mortality